Paul Bailey, whose life ended last autumn at 87, was renowned for possessing a humorous talent, profound compassion even for his deeply imperfect creations, and a cleverness that was never clinical. His literary works frequently delved into the influence of recollections on human existence, driven by witty, staccato exchanges. Apart from fiction, he was also a memoirist, poet, and more—here is a guide to the books he left behind.
The author appeared as an outgoing person, a master conversationalist with a love for lighthearted gossip, according to a fictional persona. Alongside pal Beryl Bainbridge would watch the TV show Coronation Street and debrief by phone. This fondness for gossipy exchanges appears within his books the book Trespasses (published in 1970) and Peter Smart’s Confessions (dating to 1977). Both feature a main male protagonist encircled by funny, annoying, over-the-top characters, often close relatives whose influence is inescapable. “Why would anyone desire normality?” queries Ralph’s mother in Trespasses when he reveals he is gay. Comparable to hanging out with your most clever, daring companion.
Bailey wrote superbly on old age, early and late in his career. His debut novel At the Jerusalem (1967) follows the journey of Faith Gadny as she adjusts to a care facility, where other occupants provide kindness missing from caregivers, whose concern via queries “Why aren’t you ladies watching the television?”. In his penultimate novel the title Chapman’s Odyssey (released in 2011), an aged patient moves between arguing with doctors (“I consume only fine wines”, he insists after reprimands over liver tests) and being flooded by memories from his parent, romances, fictional icons such as Pip from Dickens or Emma from Austen. Each volume are filled with humorous dialogues but marked by the inevitable conclusion. In Bailey’s fiction, grins are unreliable. In At the Jerusalem, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously upon challenge to her conduct. In Chapman’s Odyssey, Harry warns that “my grins are misleading”. Your laughter, nonetheless, is sincere.
Besides novels, Bailey was a talented life writer, publishing two autobiographies. An Immaculate Mistake (from 1990) is a masterwork of recollection, its name coming from his parent’s remark calling him “our error” and saying he shouldn’t exist. (“She was old now, and letting go of her secrets,” he notes. “This secret, she realized, would intrigue me.”) Within these pages appear the roots of flawed, caring, annoying mothers and fathers throughout his books. It also paints a moving picture of a boy discovering his sexuality during the mid-20th century, when homosexuality was illegal, and his family found it odd that a son would purchase flowers for his mum; and of a would-be thespian (The writer was on stage preceding his literary career) who memorized Hamlet at 15. His follow-up autobiography the book A Dog’s Life (published in 2004) focuses on days with his pet Circe, his former partner David, his affection for Romania—which motivated later novels like Kitty and Virgil, Uncle Rudolf, plus The Prince’s Boy—and plenty of gossip, including a tale regarding Iris Murdoch labeling a listener a “foolish person”.
Paul Bailey’s books tend to be short—the notable Old Soldiers (1980) is under 100 pages—however, for a more condensed choice, sample his verse from his later career. The two collections Inheritance (published in 2019) along with Joie de Vivre (2022) showcase Bailey’s wit, empathy, precision in small packages. These writings contain death and life. Two romantic motifs repeat: for his mother (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his partner Jeremy Trevathan. In Amazement, he describes the happiness from “watching an idiotic TV entertainment” together, ending with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
It is widely accepted that the author’s most expansive book was Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, a task he hated.) This work Paul Bailey valued most, although “it drained me. It took everything out of me”. It tells the narrative of Gabriel Harvey, with a missing mother while his dad transforms into an insufferable elitist upon receiving money, and the events may link. It serves as a portrait of 20th-century London, a tale of emotional unraveling, and as funny and sad similar to his entire output. To continue, it led to a subsequent book, Sugar Cane (1993), which Bailey researched by attending brothels to observe.
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